Download Cobus - Black Eyed Peas - Let's Get It Started (Drums Cover) video on savevid.com
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Cobus - Black Eyed Peas - Let's Get It Started (Drums Cover)
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Laus Deo Semper
This is a drum cover of BEP's song, Let's Get It Started. I really like hip-hop's rhythmic structure, so i REALLY dig playing all the off-beats and off-set accents :) crazy cool. loved playing this.
I have to emphasize, I know calling this a "cover" is wrong, seeing as I only PARTLY stayed true to the song's drums, through the WHOLE song i play some variations of the beats, phrasing and fills, I'm NOT aiming to be accurate to the original drums, I'm just aiming to enjoy myself.. :) And I thouroughly succeeded in doing that, I might add ;)
Black Eyed Peas - Let's Get It Started (Radio Edit) from the 2003 release Elephunk is the copyrigthed property of its owner.
(External) Drums by Cobus Potgieter | firstname.lastname@example.org
Tama Superstar Custom; in the Blue Metallic Fade
Toms TOP: Remo Powerstroke 3, Clear.
Toms BOTTOM: stock heads.
Snare TOP: Remo Emperor, Coated.
Snare BOTTOM: stock head.
Bassdrum BATTER: Remo Powerstroke 4, Clear.
Paiste PST 5 UNIVERSAL setup:
Secondary Crash: Sabian XS20 Medium-Thin 16" Crash
(please note the toms are tuned and equalized for RECORDING purposes, live they need to be tuned a lot more "open" to sound as good as in the recording. and yes, the kit DOES sound that good live :) i had almost NO equalising on the drums themselves, and ONLY removed some low frequencies from the overheads. basically i only levelled the mix and applied compression.)
I miced each individual drum (snare top AND bottom were miced), plus two overheads, ran this through a mixer, got a decent mix and recorded with ONLY *ONE* stereo channel.. no multitrack recorder(s) :) I compressed the final mix to HELL.. to get a more aggressive sound, to make it sit better in with the original song (and hopefully overpower the original drums), detailed compression settings: 20:1 with a threshold of -20db and a compensation gain of 15db, with both separate channels (LEFT and RIGHT, from the mixer) sent to a stereo sub-group, and the compression settings applied to THIS group, it gave a nice compact and aggressive result.. further mastering was needed to equalize the final mix and control peak levels and such, to have it fit in with the original music track.
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